ҹ1000

Explorer review: The amazing story of adventurer Ranulph Fiennes

An intriguing documentary about the life and adventures of Ranulph Fiennes, one of the last hero-explorers of our time, packs an altogether different punch at the end, discovers Simon Ings
A98A62 Ranulph Fiennes manhauling a sledge North Pole Unsupported Expedition 1990
Ranulph Fiennes: his expeditions were the last of their kind
Royal Geographical Society/Alamy

Matthew Dyas

On release now

EXPLORER is a documentary about Ranulph Fiennes, who led the first expedition to circumnavigate Earth from pole to pole without recourse to flight.

Its subject emerges slowly from snatches of past documentaries, interviews, home movies and headlines. The film touts Fiennes’s unknowability: a risky strategy for those new to the man and his achievements, though in time it pays off handsomely for director Matthew Dyas.

Fiennes isn’t motivated by mysterious and delicate internal forces; this is someone driven by ghosts. Four months before his birth, Fiennes’s father was killed by a German landmine in Italy. His grandfather also died serving his country. Young Ranulph intended to follow in their footsteps. Brought up in a household of indomitable women, he wanted to live up to the father he never knew.

But it was Fiennes’s first wife and childhood sweetheart, Ginny, who devised the expedition that made him a household name and her the first woman to be awarded the Polar Medal. Seven years in the planning, Fiennes’s ran from 1979 to 1982. It was, with hindsight, the last of the “hero” expeditions. Satellite photography and instantaneous communication have made such adventures redundant and undermined notions of physical heroism. In an era of extinctions and climate change, the idea of a human pitting themselves against nature has acquired a slightly “off” flavour.

And yet, Fiennes has become one of the most eloquent witnesses to our biggest crisis. Naysayers will maintain there is something rotten at the heart of a white man’s exploration of what to him are far-off places. But since 1984, Fiennes’s expeditions point to something that should agitate us more: the ice itself is rotting all over the world. He lost fingers after hauling a sled out of polar water that shouldn’t have been water. Far from slipping into tenuous relevance, Fiennes is, for many, a ravaged poster child of the climate crisis.

People who complain about such expeditions are rather like those who complain about us “mucking about in outer space”; they wildly overestimate the costs while underestimating the value generated. Transglobe was put together from favours, donations and sponsors. Careers were created in countless fields, and 650 companies reaped the rewards of being associated with it.

Fiennes and Ginny were unable to have children. When they tried to adopt, they were turned down because they didn’t have a stable income. Fiennes still struggles with money, he says. In his late 70s, remarried after Ginny died and a father of one, he is shown plying the lecture circuit, driving many hours between venues and sleeping in his car to save money.

The film shows him stomping through winter surf to ease the symptoms of suspected Parkinson’s disease: this man is, by his own admission, still struggling to live up to his father. Pushing himself to the limit of his declining powers, he comes into focus at last as a tragic figure. But what is tragedy, if not a way of giving shape and meaning to a life that, by definition, is bound to end in decline and death?

Explorer‘s achievement is to reach the source of Fiennes’s heroism. The explorations, while staggering accomplishments, are mere way stations. The goal is a life that has squeezed as much good out of the world as it can.

Simon also recommends…

Herbert G. Ponting

Herbert Ponting expands the official record of Robert Falcon Scott’s fateful South Pole expedition with diary extracts, animations and photographs. A haunting testament and masterpiece of reconstruction.

Magnus Mills

Bloomsbury

Two rival teams (English and Norwegian) race to a ghastly wasteland. Mills’s pastiche anatomises the awfulness of the explorer’s lot.

Topics: documentary / Review