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Humans

The best science fiction books of 2022: Uncertainty, dystopia and hope

Uncertainty and crisis are key to this year's best sci-fi offerings, from Janelle Monáe's The Memory Librarian to Ray Nayler's The Mountain in the Sea

Culture

Utama director: Alejandro Loayza Grisi Film 2022

Humans

Utama review: An unsettling look at climate change in Bolivia

Culture

Good Night Oppy

Space

Good Night Oppy review: Hybrid doc is the best Pixar movie never made

Culture

A Fractured Infinity review: Multiverse plot trope comes of age

Humans

A Fractured Infinity review: Multiverse plot trope comes of age

Culture

Chris Hemsworth celebrates while surfing. (National Geographic for Disney+/Craig Parry)

Humans

Limitless With Chris Hemsworth review: How to live better for longer

Culture

A man enjoying a beautiful sunset at Muriwai Beach, Auckland, New Zealand.

Humans

The Varieties of Spiritual Experience review: A meticulous guide

Culture

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Humans

Telluria review: Political dystopia from a bravura Russian writer

Culture

Reflection in metal (brass)

Humans

Sentience review: Inside a controversial new idea about consciousness

Culture

The Peripheral review: William Gibson’s noir debuts on Amazon Prime

Technology

The Peripheral review: William Gibson’s noir debuts on Amazon Prime

Culture

Futuristic cyborg religion and control. Image on the projection screen is my own render, already approved and in my portfolio. This is entirely 3D generated image.

Humans

The Mountain in the Sea review: A remarkable study of consciousness

What is consciousness, and why do we simultaneously seek it out and dread it in other entities? Ray Nayler’s staggering novel has grand ambitions and even provides a few answers, finds Sally Adee

Culture

Humans

The Elon Musk Show review: Searching for the man who is Elon Musk

Culture

Technology

Hardspace: Shipbreaker review: strip spacecraft for parts in orbit

Culture

Humans

Nineteen Ways of Looking at Consciousness review: Complex and engaging

Culture

Environment

Nuclear Now review: Oliver Stone's paean to a nuclear future

Culture